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Jana Svobodová

Social-Specific Theatre in Practice

Foreword
Acknowledgements
Part 1: Performances & Working Principles
The Value of the Untrained Performer
Responsibility for Those I Invite
Embracing the Obstacle
Theatre as a lifejacket
Theatre as shared experience
Theatre as a gateway to a closed community
Theatre as a tool to discover an unknown area
Theatre as a combination of private stories & historical events
General Working Principles
Part 2: Social-Specific Theatre in Practice
The Show Those Who Speak for Themselves as a Case Study
STEP 1: CHOOSING YOUR COLLABORATING ARTISTS
STEP 2: MEETING PARTICIPANTS FOR THE FIRST TIME
STEP 3: BUILDING TRUST
STEP 4: WARM-UP GAMES
STEP 5: WORKING IN THE GROUP
STEP 6: EXTREME LISTENING
STEP 7: WORKING IN COUPLES
STEP 8: TEXT WORK
Important Aspects of Working with Personal Stories
Feedback from the Performers of Those Who Speak for Themselves
Why Does Social-Specific Theatre Matter
Final Word
About Jana Svobodová
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Jana Svobodová, Jaroslava Swoboda a kol.

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Social-Specific Theatre in Practice

Jana Svobodová

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Jana Svobodová | CREDITS

Jana Svobodová

Foreword
Acknowledgements
PART 1: PERFORMANCES & WORKING PRINCIPLES
The Value of the Untrained Performer
Responsibility for Those I Invite
Embracing the Obstacle
Theatre as a lifejacket
Theatre as shared experience
Theatre as a gateway to a closed community
Theatre as a tool to discover an unknown area
Theatre as a combination of private stories & historical events
General Working Principles
PART 2: SOCIAL-SPECIFIC THEATRE IN PRACTICE
The Show Those Who Speak for Themselves as a Case Study
STEP 1: CHOOSING YOUR COLLABORATING ARTISTS
STEP 2: MEETING PARTICIPANTS FOR THE FIRST TIME
STEP 3: BUILDING TRUST
STEP 4: WARM-UP GAMES
STEP 5: WORKING IN THE GROUP
STEP 6: EXTREME LISTENING
STEP 7: WORKING IN COUPLES
STEP 8: TEXT WORK
Important Aspects of Working with Personal Stories
Feedback from the Performers of Those Who Speak for Themselves
Why Does Social-Specific Theatre Matter
Final Word
About Jana Svobodová
Get free PDF